Originally published in Poetry, The Mysterious Arrival of an Unusual Letter is an enigmatic piece by the Canadian-born American poet, essayist, and translator Mark Strand. You can guess what the poem is about from the title but its content is rather less straightforward – you could even go as far as perplexing.
Still, it is an excellent subject for an animated short and animator and director Scott Wenner has risen to the challenge. It is an elegant and pared back animation and brings out the words of the poem beautifully. The mellifluous narration by John Olive is the icing on the cake.
If you want a short black comedy about bereavement, you’ve come to
the righ(ish) place. Fern is a short
movie about a recently widowed women who is not called Fern. The title of the short is the name of the type
of house plant our bereaved protagonist befriends in her hour of need. This tatty, almost dead plant allows her to
nurture something that she can, at least, help return to life.
If that sounds a little cosy, fear not.
The fern in question is very much the antagonist of the piece – but you
will have to watch to find out more.
Written and directed by Johnny Kelly and commissioned by the
UK TV Channel 4, Fern stars Monica Dolan.Dolan is a very familiar face to British TV and theatre audiences, having
starred in numerous shows and productions, including Talking Heads, Mr Bated vs
The Post Office, Sherwood and Death in Paradise.
Those outside the UK may recognise her from two episodes of
Black Mirror (series 5’s Smithereens, and series 6’s Loch Henry. Dolan’s film credits include Kick-Ass 2, The
Dig and This Time Next Year.
In German, Monstersinfonie, this wonderful animated short by
Kiana Naghshineh tells the story of a little girl who has a job – to train the
monsters in her life to make the sort of noises that are going to properly
frighten people. Altogether, she does a
pretty good job. This short was created
during Naghshineh’s time at the Filmakademie Baden-Wuerttemberg in
Germany. Believe it or not it was
created and produced in just three weeks. Watch the film below. Emjoy!
Over on our sibling site, The Ark in Space, we're taking a closer look at some truly remarkable climbers - the tree-dwelling porcupines of the Coendou genus. With their prehensile tails, spiky hairstyles, and surprisingly agile moves, these nocturnal creatures are the hidden acrobats of the Central and South American forests. From their quirky behaviours to their vital role in the ecosystem, these little-known porcupines are full of surprises. Want to meet the “punk rock” porcupine and learn why some scientists are only just beginning to understand their world? Swing over and check out the full story!
Meanwhile
in South Korea, dinosaurs brought back from extinction in a secret laboratory
have broken out and are now roaming the Korean countryside, gobbling up the
locals and generally doing the things that dinosaurs love to do. However, this particular de-extinction has
been brought about courtesy of wire framing, concrete and fiberglass rather
than gene-splicing. The Uhangri Dinosaur
Center and Park - 해남공룡박물관 - may not host the real thing (it’s more of a visual, “colossal”
fib but we're no strangers to that kind of thing, are we?) yet it’s still a great way to engage the public with all things
cretaceous.
Why here? Dinosaur
footprints – lots of them – were discovered in the Haenam county of South
Korea (located in the far southwestern tip of the country), specifically around the Uhangri formation. That was in 1992 and since then the tracks of
therapods, sauropods and ornithopods have been preserved in situ in the dinosaur
museum that has been built over them.To
attract visitors, the idea of dinosaurs breaking free was dreamed up by someone
who had never seen a certain American film franchise – honest.
Wallpaper kicked off way back in
China. Around 200 BCE, during the Qin dynasty, people there stuck rice paper on
walls. They painted it with cool designs- simple but neat. Europe didn’t hear
about it for ages. Not until the 12th century, when paper-making sneaked west
via the Silk Road.
The Chinese swapped rice for linen
fibers later - smoother stuff for painting. By the 1400s, rich Europeans caught
on. Fancy hand-painted sheets started popping up in big houses. Oscar Wilde,
though, hated his wallpaper in a cheap Paris hotel room - he called it a “duel to
the death.” No one saved that ugly thing after he died in 1900; it’s gone
forever.
Printing
Makes It Big
Then the printing press shook things
up. Around 1509, Hugo Goes in York made the oldest surviving European
wallpaper - pomegranates in a damask style, block-printed. That’s when it started
getting cheaper. France jumped in by 1599 with “dominotiers” - wallpaper makers
for poor folks’ huts. Still, the rich kept their fancy tapestries.
The 1600s brought bolder vibes.
England copied French looks but added flair - think flowers or velvet bits.
Chinoiserie hit too—Chinese bird-and-flower designs that posh English homes
like Ightham Mote loved by 1752. The manufacturing was slow, all done by hand.
The
1700s: Fancy Gets Fancier
By the 18th century, wallpaper went
nuts. France ruled with Jean-Baptiste Réveillon’s wild designs—swans, fruits,
framed panels. Machines in 1785 sped it up—cheaper rolls for more people.
England taxed it in 1712, though - forging stamps could get you hanged by 1806!
Chinoiserie stayed hot - bright export
papers from China wowed Europe. Flocked wallpaper showed up too - wool bits on
glue, mimicking velvet since 1680. Walls turned into art—forests, battles,
whatever. Only the rich could splurge, though.
1800s:
Steam and Speed
Industrial Revolution time! Steam
machines in the mid-1800s cranked out paper fast. Middle-class homes got in on
it - Victorians loved dark, busy looks. William Morris pushed back, though—his
Arts & Crafts flowers and birds fought “vulgar” factory stuff. The trouble
was, his green dyes had arsenic—linked to child deaths in the 1860s.
Everyone
could afford wallpaper now - not just elites. Colors popped with new dyes—reds,
blues, crazy mixes. What about the peel and stick safari wallpaper? Nope, glue was the only way back
then. Designs got jungly - birds, vines, chaos.
Early
1900s: Simpler Vibes
The 20th century chilled things out.
Victorian clutter? People were over it. Art Nouveau brought curvy nature vibes,
and then the 1920s went geometrically and jazzily. Wars slowed production—and money
got tight. Post-war? Boom! Mid-century modern hit—funky shapes, bright hues.
Regular homes everywhere had it now.
No more “rich only” rule. Designs slimmed down—less wild, and sleeker. Still,
some kept the old floral game going.
Late
1900s: Wild and Free
The 1970s exploded - think orange,
green, psychedelic overload. Wallpaper went everywhere—kitchens, even
bathrooms. The ‘80s loved country stuff—roosters, plaid. By the ‘90s, paint
took over—wallpaper faded a bit.
Modernism liked bare walls - less
fuss. But it hung on, just quieter. People still slapped it up—just not as
loud.
Today:
Back and Better
Now, wallpaper’s back, big time.
Digital printing means anything goes - custom looks, fast. Self-adhesive stuff
like these laundry room wallpaper ideas makes it easy - stripes or dots, no
mess. Luxury brands - Hermes, and Versace - jumped in too.
Old meets new = vintage florals or
slick lines. Textures rock—fake brick, metallic shines. Zuber’s panoramas, like
a £24,000 American Independence one, scream fancy. Eco-friendly papers? Yes,
green’s in.
How
It’s Changed Forever
Wallpaper’s trip is wild. From
China’s rice sheets to today’s techy rolls, it’s flipped tons. It started
elite = handmade, pricey. Then machines made it for all. Styles swung—simple,
crazy, back to chill.
What’s next? Maybe glow-in-the-dark
walls! It keeps evolving—never stuck. Walls today are way cooler than paint,
thanks to the wallpaper’s long, twisty story.
The old town of Vernon nestles at the side of the river Seine about 75 kilometers away from Paris. It has, as you can imagine, a long history and has been through periods of momentous change both in France and Europe as a whple.
When change happens there are always winners and losers. In Vernon, architecturally speaking, perhaps it is the old bridge which could be considered most unfortunate – it no longer exists.
In fact it has been rebuilt and destroyed often enough for us to consider it perhaps the unluckiest bridge in the world.
The lucky survivor, in that case, is the old mill house (le vieux moulin) which straddles the first two piers of the ancient bridge. Vernon itself is first mentioned in the archives of the Frankish King Pepin the Short (or the Great, depending on which history books you read) around the 750AD mark. Vernon as a city was founded in 950 and the first wooden bridge was built at some point in the early twelfth century (though there is argument there among historians too).
There is a certain sweet douleur to Crème Brulée by David
Archuleta. On the surface this song is
pure bubble-gum (just the way great pop should be) but underneath it there is a
kind of sensual sadness running through it and something much sharper than its “sugary
and caramelized” exterior. The speaker (we
can’t automatically assume it’s David) is well aware of their allure but also
that their ethnicity has been eroticised – and we're preety sure it’s not the first time
either. After all, when you package yourself
as a dessert, you’ve probably been objectified more than once.
This song absolutely captures that sweet douleur -
the pleasure of desire tangled with the ache of knowing it won’t last. It’s layered though – the “speaker” might seem
somewhat heartless but there’s also something melancholic in how quickly the
passion fades — from “singing my praises” to being discarded just as
easily as clothes on the floor. It’s exhilarating, yes, but also a little sad -
like the sweetness of crème brûlée that’s gone too soon. Talking of which – the song’s protagonist is
really the opposite of that popular dessert – he’s harder on the inside than
the outside. Yet there is no victim
here. This is a knowing protagonist who is
fully aware of his attractions and takes them all on board with a cheekily
opportunistic pragmatism (is there even a hint of self-satisfaction?).
Or maybe I’m just reading too much into this!
No, I’m not. The song is knowing, socially political and
wistful all at the same time.The
lyricists (David Archuleta, Robyn Dell’Unto, Ryan Nealon) are a clever bunch as
this song does something that not many do – it goes beyond words.Hats off, too, to choreographers the JA
Collective who with great panache really show how to fluidly interpret a song.
Bobby’s parents are very understanding – he enjoys playing with Barbie and Ken dolls rather than with robots and soldiers – although his father warns him that other boys might not be quite so empathetic when it comes to his choice of toys. However, they mostly leave him to it.
However, Bobby recognizes that his choice of toy does not truly meet with their approval. He goes on a personal journey to discover what he should be playing with. Barbie Boy is about growing up, identity, and the delicate balance of letting go.
Directed by Nick Corporon, this is a coming of age tale that many boys will recognize but perhaps will not so readily admit. A short film about growing up, identity, and the delicate balance of letting go, Barbie Boy has been shown at festivals around the world.
It was also the recipient of the Alfred C. Kinsey Award for its major contribution to the discussion of gender.
An old man, Moulin, has cut off the world and lives a miserly existence on his own. One day he climbs a pile of books so he can reach a bottle of spirits and the stack collapses. Fortunately a priest arrives to stop his fall but notices that the old man has brought something else to the ground as well as the bottle - a red sock containing all his savings.
The priest promises Moulin salvation if he signs over the money. He has a device which will ensure his entry in to heacen but the old man wants to see more proof....
This extremely cool animated short directed by Samuel Tourneux was nominated for an Academy Award in 2007.
They look as if they might be home to families of extra-terrestrials recently arrived on earth from some sort of galactic cataclysm – and they are everywhere and increasing in number. Yet there is no need to call in the air force just yet if you spot one of these on your travels. Your average radome may look like it is from a science fiction novel but its real purpose is much more down to earth: it is a kind of umbrella.
Over at our sibling site, Ark In Space, there's a truly heartwarming story about a 100-year-old Galápagos tortoise named Mommy, who has become a first-time mother at Philadelphia Zoo. After nearly a century without offspring, Mommy surprised keepers by laying sixteen eggs - eight of which have so far successfully hatched. As one of the oldest members of a critically endangered species, her hatchlings offer new hope for conservation efforts. Set to make their public debut on April 23, exactly 93 years after Mommy arrived at the zoo, these tiny tortoises represent a rare and valuable addition to their fragile genetic lineage.
I suppose it had to happen. Today, I spoke to Bruce. To say that he got the surprise of his life is an understatement and he was reluctant to answer for a while. Once we got going, he couldn't shut up. Turns out he had a lot to tell me. Bruce is a dog. I am a human. Hey, they're just labels. From now on, we can all have all conversations great and small with the creatures we live with.
How is this possible? Today, relaxAI, the advanced AI assistant platform, introduced PetTalk, an experimental new feature designed to translate pet vocalizations into human language in real time. Even more exciting? It allows humans to reply in their pets’ own "language." You can try it for yourself using this link. Just click on "pet mode" when you get there and you're away!
Powered by deep learning, speech pattern recognition, and a specialized natural language model trained on thousands of pet audio samples, PetTalk aims to revolutionize human-pet communication.
According to Mark Boost, CEO of relaxAI, the concept came straight from users who wanted to strengthen their emotional bond—not just with AI, but with their beloved animals.
“PetTalk is an exciting and ambitious step toward expanding the boundaries of AI-human interaction,” said Boost. “We’ve been working with leading academic researchers and animal behavior specialists to make what once seemed impossible… just a little less impossible.”
The feature was developed in collaboration with Dr. Emily Petrichor, Professor of Animal-Human Communication at the University of Ashwood, whose research into animal vocalization patterns helped shape the project’s foundational AI model.
Dr. Petrichor explains:
“We’ve identified acoustic patterns in animal sounds that indicate intent or emotion. Full interspecies conversation is still a distant dream, but with machine learning, we can make an educated guess about what your dog or cat might be trying to express. Whether it’s right or not—that’s for the pet to decide.”
While PetTalk isn’t (yet) scientifically or medically certified, early testers have shared entertaining results—from a Labrador pleading for “a bigger bed” to a cat demanding “a sunbeam that lasts all day.”
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