12 August 2026

When Institutions Keep Records: How Hidden Histories Eventually Surface

In Michigan, history is rarely held in one place. It sits in city archives in Detroit, parish memories in Grand Rapids, courthouse files in Lansing, small-town stories across the Thumb, and diocesan records from Marquette to Kalamazoo. The state’s religious history is shaped by distance as much as doctrine. A church in the Upper Peninsula may have served a close-knit town, while a parish in metro Detroit may have been part of a large urban network.

That geography matters when hidden histories begin to surface. Records tied to clergy abuse allegations are connected to schools, parishes, families, and communities that may have carried unanswered questions for years. Once those records are released, arranged, or investigated, they can change how a community understands its past.

Michigan offers a useful example because its Catholic history is spread across several dioceses, each with its own files, leadership decisions, parish assignments, and local memories. Information once held inside an institution can eventually become part of a public record, giving people a clearer view of events that were once scattered, private, or difficult to trace.

Why place matters when old records become public

Institutional records are rooted in place. A personnel file may name a parish. A diocesan report may identify a city. A survivor’s account may describe a school, a rectory, a youth program, or a local church where trust once felt ordinary. When those details are gathered, they create a map of institutional history.

In Michigan, that map is complex. Detroit has large Catholic communities shaped by immigration, education, and urban growth. Grand Rapids and Lansing developed their own religious and civic identities. Northern Michigan and the Upper Peninsula often had smaller communities where a parish could serve as a central social institution.

These differences affect how records are understood. In a large city, one accused priest may be remembered through several assignments across multiple parishes. In a smaller town, a name may carry a more personal weight because the institution was close to daily life.

How lists turn scattered allegations into public memory

Historical clergy abuse records are rarely found in a single place at first. Allegations may appear in court documents, diocesan statements, news reports, law-enforcement files, survivor accounts, or internal church records. Some names become public through official investigations. Others appear through diocesan disclosures or civil claims.

That is why state-specific lists matter. They create structure around information spread across decades and jurisdictions. Because Michigan’s diocesan boundaries cover regions from Detroit and Lansing to Marquette and Gaylord, a Michigan accused priests list can help show how names, locations, and allegations are presented within a clearer public record.

This kind of list helps readers see patterns of assignment, geography, institutional response, and public disclosure. It also gives context to people trying to understand whether a local parish, school, or diocese appears in the broader record.

A list can also show the difference between memory and documentation. People may remember rumors, sudden transfers, or unexplained absences, but public records give those memories a framework. They do not erase uncertainty or replace careful investigation, but they make scattered information easier to examine.

Michigan’s dioceses show how regional histories differ

Michigan’s diocesan structure makes the state a useful lens for understanding institutional records. The Archdiocese of Detroit covers a dense and historically influential region. Lansing, Grand Rapids, Kalamazoo, Saginaw, Gaylord, and Marquette represent different parts of the state with distinct community patterns.

In Detroit, records may involve parishes that served generations of families in large urban and suburban areas. In Grand Rapids, the history may connect to western Michigan’s religious schools, local parishes, and civic institutions. In Marquette, the geography of the Upper Peninsula can make institutional memory more intimate because communities are often smaller and more spread out.

Institutional harm is experienced locally, even when records are collected statewide. A name in a report may be tied to a school gym, a parish office, a confessional, a youth group, or a local church. Records become meaningful when they are connected back to the places where people lived.

Public access helps people see more than fragments. A list, report, or archive can show where an accused priest served, when allegations became public, and how different dioceses responded over time.

Why official investigations matter decades later

Many institutional histories surface slowly because the people involved are separated by time, fear, geography, and authority. Survivors may wait years before speaking publicly. Records may remain inside church offices. Local memories may fade or become difficult to verify. By the time an investigation begins, some witnesses may have moved away, some documents may be incomplete, and some accused individuals may no longer be alive.

Official investigations can still bring order to these difficult histories. Michigan’s statewide clergy abuse investigation shows how survivor reports, police work, diocesan records, and seized documents can be examined together long after alleged abuse first occurred.

The passage of time does not make these records irrelevant. A person who was a child in a Michigan parish decades ago may only later understand the significance of what happened. A family may learn that an allegation connected to one city also appears in records tied to another. A community may discover that a transfer was part of a larger institutional pattern.

Official investigations also help distinguish between different types of information. A public record may include allegations, diocesan disclosures, criminal charges, civil claims, or substantiated findings. These categories are not identical, so careful reading protects both the historical record and the people affected by it.

The difference between a name, a record, and a conviction

A public list connected to accused clergy must be read responsibly. The presence of a name in a record does not mean the same thing in every case. Some individuals may have faced criminal convictions. Others may have been named in civil actions, church disclosures, investigative reports, or survivor allegations. Some cases involve allegations deemed credible by a diocese, while others appear because they are part of public documents or official reviews.

This distinction is important for Michigan readers because the state’s records cover many decades and multiple dioceses. A name connected to Detroit may have a different record history than a name connected to Marquette or Lansing. Dates, assignments, allegations, institutional responses, and legal outcomes should not be collapsed into one category.

Careful language does not weaken the importance of public documentation. Communities need accurate information to understand their history. Survivors need records that acknowledge what was reported. Researchers, journalists, families, and local residents need ways to connect public information with specific places and time periods.

The strongest records make distinctions clear. They help readers understand what is alleged, what has been confirmed, what remains unresolved, and where the information came from.

Why communities remember differently in different cities

The memory of institutional abuse can look different across Michigan. In Detroit, a large parish network may mean that one person’s assignment history crossed many parts of the city and surrounding suburbs. In Lansing, records may intersect with the state capital’s civic and educational institutions. In Grand Rapids or Kalamazoo, local church communities may have their own patterns of trust, silence, and eventual disclosure. In northern Michigan, a parish may have been one of the few central institutions in town.

These differences shape how people respond when old records become public. In a large city, the story may feel like part of a wider institutional reckoning. In a smaller community, it may feel personal and immediate, even decades later. A name in a public list can return people to a specific church building, a school hallway, or a family conversation that never had a clear ending.

Geography gives the public a way to understand how institutional decisions moved through real communities. A transfer placed a person in a new setting, with new families, new children, and new layers of trust. Records help show how what happened in one city may be connected to decisions made elsewhere.

Religious history, reform, and the long life of documents

Religious institutions have always depended on records. Baptismal registers, parish histories, letters, theological disputes, meeting notes, and personnel files all shape how later generations understand the past. Some records preserve rituals and milestones. Others reveal conflict, reform, failure, or harm.

The history of Christianity is filled with moments when documents became central to public debate. Questions of religious reform and public memory rarely remain confined to one generation. Writings, records, and challenges can return long after leaders believe a chapter has closed.

That broader history helps explain why clergy abuse records carry such weight in Michigan and elsewhere. Institutions are eventually judged by what they preserved, concealed, acknowledged, or released. A file that once seemed administrative can later become evidence of institutional decisions. A list that once seemed technical can become a tool for public understanding.

Documents also change the balance between private memory and public knowledge. Before records are released, people may carry stories alone. Once names, dates, assignments, and allegations are placed in relation to one another, those stories can be viewed as part of a wider history.

The responsibility of reading difficult records

Public records about accused clergy require care. Readers should understand the difference between allegation and conviction, diocesan disclosure and court finding, local memory and documented fact. They should also remember that behind every record are people whose lives were shaped by what happened or by what was reported.

In Michigan, this responsibility is especially important because the records are tied to real places. These are churches in communities, schools near family homes, diocesan offices in recognizable cities, and towns where faith may have played a central role in daily life.

Responsible reading also means understanding why people search these records. Some are survivors. Some are relatives. Some are journalists, historians, or community members. Some are trying to learn why a priest was moved, why a parish changed, or why a story remained hidden for so long.

The goal is not to turn painful history into a spectacle. The goal is to understand how institutions work, how memory survives, and how public records can help communities face what was once hidden.

The past is not always past

Across Michigan, from Detroit’s urban parishes to the churches of the Upper Peninsula, institutional histories remain tied to place. A record can sit quietly for years, but it does not disappear. A name in a file, a parish assignment, a survivor’s account, or an official report can eventually reshape how a community understands its own story.

When hidden histories surface, they often do so through ordinary forms of documentation. Lists, files, reports, and archives may seem dry at first glance, yet they can carry the weight of memory, accountability, and acknowledgment. They help connect local experiences to wider patterns and give future generations a clearer record than silence ever could.

Michigan’s geography makes that lesson clear. Each city and diocese has its own history, but public records reveal where those histories overlap. What was once held separately in offices, memories, and local conversations can become part of a shared account. Institutional records are one way communities learn what happened, where it happened, and why remembering still matters.


9 August 2026

Coin Operated: A Heartwarming Animated Short About Dreams, Life and Going to the Moon

Always allow your dreams to last you your lifetime.  I guess that’s the message behind this very sweet animated short, written and directed by Nicholas Arioli.  A young boy wants to be an astronaut, as makes sure that he wears his space helmet wherever he goes, just in case he gets the chance to reach his destination – the moon.  Then one day he comes across a coin operated ride which is – of course – a rocket ship.  At five cents a go, it’s a must – so his mum leaves him to it while she goes inside the store to do her shopping.  The ride isn’t quite what he expected – but he figures that is five cents gets him a few bumpy seconds, what would a whole heap of five cents pieces get him?

There are a lot of theories on the YouTube comments below this animated short debating what the story is really about.  The ambiguous ending and the symbolic storytelling have assured that.  Does the old man die at the end? What happened to him mother? And why did he spend his own life selling lemonade?  There are countless interpretations – and I for one like to see this animated short as something of a meditation on the pursuit of dreams – and that even if they take a lifetime to achieve, they are still there for the getting.  Have a watch and see what you think!

8 August 2026

The Babson Boulders of Dogtown

Roger Babson had a problem. His family thought he was crazy or felonious or both.  He had started to carve mottoes in to the boulders which lay in the fields near the long abandoned settlement of Dogtown close to his home in Gloucester, Massachusetts.

Babson was later to write in his autobiography: My family says that I am defacing the boulders and disgracing the family with these inscriptions, but the work gives me a lot of satisfaction, fresh air, exercise and sunshine. I am really trying to write a simple book with words carved in stone instead of printed paper. Besides, when on Dogtown common, I revert to a boyhood which I once enjoyed when driving cows there many years ago.

7 August 2026

Little Shrew: Kate Bush’s Haunting Animation for ‘Snowflake’

I had no idea that this existed until recently.  Back in 2024, Kate Bush released a short animated music video called Little Shrew (Snowflake) – the word in brackets being the name of the track from her 2011 album 50 Words for Snow that is used as the soundtrack for this startling and poignant anti-war story.  Apparently, the image of the destroyed block of flats that you see in the video is based on a real photograph that Bush saw – an image of the war in Ukraine.  Yet the video doesn’t focus on graphic violence, rather its impact on the young and timid shrew – although the bleak monochrome of the animation certainly drives it message home.

The animation was written and directed by Kate Bush, with the help of animation company Inkubis and production company Tomato Twist.  If you don’t know Snowflake well, you might think Hey! That’s not Kate! for about half of the song.  That’s because she shared the song with her son Bertie (Albert McIntosh).  In fact, the guitar work on the track is by Dan McIntosh, so father makes three. I like it when people keep it in the family! The animation was created to help support the charity War Child.   It is – as you might expect – a work of art.

6 August 2026

Valencia Hyperlapse: Exploring the City of Arts and Sciences and Historic Old Town

Valencia is a remarkable city.  On one hand you have the City of Arts and Sciences, which looks like it could be set from a science fiction movie (several have been filmed there).  On the other you have the Old Town, with its sweeping historic squares, not to mention the cathedral and city hall.  It’s like past and present come together in one seamless motion, particularly if you watch this hyperlapse by Kirill Neiezhmakov.  It’s a masterclass in how timelapses are evolving into an art form – thanks to great photography and some equally impressive technology.  Although we have featured Valencia before on Kuriositas, I have never seen it look so beautiful as in this  video.

Neiezhmakov always carries a folding bike with him, on which to move between locations.  Valencia’s network of cycle paths enabled him to do this with ease and to chase what he calls “the perfect light”.   Amazingly, there were no drones involved in the making of this short film – but I for one certainly wouldn’t blame you if you thought that there were.  Instead, the creation of this hyperlapse involved painstaking work, with each shot created by moving the camera and tripod manually.    Watch the resulting magic below.

5 August 2026

Star Trek Bohemian Rhapsody 2026

Manny Patel made the first version of this over thirty years ago when he was a high school student.  Now he has returned to his Star Trek Bohemian Rhapsody media mix as a celebration of the show’s 60th anniversary (and Queen’s song is 50, so a double celebration).  The footage has been upscaled to 4K, giving the original mashup a makeover.  It is certainly a labor of love – each two or three second clip exactly matches a line in the song.  I’ve been a bit cheeky and put the lyrics in the picture above to give readers an idea of what they are in for (the video itself doesn’t have any “singalong” subtitles… now there’s an idea!

What we do have is Dr Crusher and Kira Neris getting swept away with anywhere the wind blows and Odo playing the piano in perfect time to the song.  We have most (if not all) of the mothers of Legacy Trek featured here as the song mentions “mama” so often, so why not? You might want to guess whose death is featured for the line Too late, my time has come, but I reckon you will get that right, no problem.  All told, this is a joy to watch, to proceed below.

4 August 2026

Wings: A Heartwarming Animated Short About a Mouse and an Injured Bird

A little mouse, foraging for food, comes across and injured bird. It has been trapped by the wing and the mouse makes the decision, on the spot, to help the bird, release it and share its home with it until it is fully recovered and can fly again. That’s it – a very simple tale, but so beautifully animated and with great (wordless) character development that it’s simply (see what I did there?) a joy to watch.  This was Casey McDonald’s (aka gothfrog) final film from the School of Visual arts. She directed, background painted, animated, and did about half of the cleanup and coloring herself! The rest was handled by her team (credited at the end).

I do love an animated short that tells a very simple story – young animators often make the mistake of writing plots that are way too complex for five minutes or so, and when things get complicated, people turn off.  Yes, this is a very simple story and told in a way that very young kids can get it, but adults can appreciate it for the extended visual metaphor it really is.  Kindness is its own reward, but sometimes, something done with no obvious incentive can be the best thing you can ever do.

This is not a new animated short – but there are so many out there that I didn’t show on Kuriositas when they first came out, mostly because I didn’t spot them, that I thought I would take the opportunity to showcase some.  So, put this another way – I may be late to the party, but at least I got there in the end! At the time of writing Wings has attracted almost 12 million views on YouTube – quite a feat for a student film.  Watch it and discover why it is so well-loved.

2 August 2026

The Shanghai Lightshow for the World Artificial Intelligence Conference 2026

The skyline of modern Shanghai is something of a wonder – it’s like a mix of Bladerunner, Ghost in the Shell and The Fifth Element combined, even though that fairly lazy simile doesn’t do it justice (I shouldn’t really imagine the present using yesterday’s science fiction – it’s there in front of me).  Yet although this is one of the most striking cityscapes on the planet by day, when the sun sets the city comes to iridescent life, with lights reflecting across the Huangpu river.

For visitors to this year’s World Artificial Intelligence Conference (WAIC), the nightly light show that the city offers to inhabitants and visitors alike was given a further boost with a sequence of dazzling synchronised projections and animations which were designed to celebrate and showcase innovation and technology.  So, there is an extra layer of spectacle on top of what is already seen each evening.  The phrase that kept coming into my mind as I watched this film of the lightshow by LaLin Photography was effortlessly elegant.  Take a look below – it’s quite dazzling on film – it must have been something special to have been there.

The Threads of Time (時の糸)

There are several films and shows that have phones boxes with connections to time travel.  There is of course, Doctor Who – and who could forget the Bill and Ted movies? So, here’s another one to add to the list – in a way.  Threads of Time was created by Kohei Yamashita in Tokyo, and it follows the trials and tribulations of a young man (played by Kazuma Ozaki).  Perhaps he is a university graduate beginning the shūkatsu (就活) job-hunting process, but he isn’t having much luck.  The first thing that we witness is him being turned down for a position.

After he puts the phone down, he notices that someone has left behind a notepad and a pen, and so writes a message (more of a statement of his current feelings).  The next time he visits, he finds that there are responses in the notebook.  Who wrote them? Well, that’s up to you to discover by watching the short film below! The film is short  but beautifully made. It’s only a few minutes long, and if you need your spirits lifting a little, it may be just what you are looking for!

1 August 2026

Summer Fun on Days Long Gone

Have you ever felt that dread when, on their return from some far flung place, your friend threatens to show you their summer holiday photos? You may have to sit through that particular agony.  In the meantime, here is a collection of photographs spanning the first seven decades of the twentieth century which show summer in all its glory.  Times and social mores may have changed, but these may still be the type of pictures you wish your friend had taken.

Image Credit Florida Memory
A group of young women make fun of a sign demanding that they wear full bathing costumes while on Florida’s Miami beach.  Come on, this is 1934, after all!  Sure enough, there were a number of women arrested that year for wearing two piece bathing suits.

You can be fairly certain the young women above didn't stay here.

The Big Leap (Le Grand Saut): An Award-Winning Animated Short About a First Crush at the Beach

This is precious.   Le Grand Saut is the French title, so that translates as The Big Leap and I think it’s a great name for this animated short, given that the girl protagonist takes one literally and metaphorically. It doesn’t tell a big story, but for our young protagonist, it’s something of a coming of age.  A simple day at the beach.  There’s the sun, the sand – and, of course, the completely annoying toddler brother that you have to look at (no doubt while the parents go an have an extended lunch at a local bar!).  Perhaps that last bit is reading too much in to it, but there is another thing – the awakening of attraction.  When our young heroine sees a cool young boy on the beach, it’s pretty much love at first sight – but how do you get him to notice you?

There are number of outstanding features to this animated short.  First and foremost, it was created without dialogue (so overcoming any possible language barrier to help achieve a bigger audience), but the animation is so subtly done that you know exactly what is going through the girl’s mind at any given time – and the body language is also expertly conveyed.  Both of these things are difficult to do with animation, so hats off to the students who created this.  The other stand out for me was how the colours so wonderfully expressed the tone and feel of a day at the beach – vibrant and saturated with the sun in charge of how everyone sees the day’s events.  It really does give this animation a lovely, almost nostalgic texture.

The award-winning animated film was directed by Martina Doll, Anaïs Dos, Coline Reverbel, Kenzo Talma, Edgard Vernier, and Lisa Vlaine during their time at École des Nouvelles Images. It received the School Jury Award at the Catch the Moon – Festival Internazionale di Cinema d'Animazione, the Jury Prize (Prix du Jury) at the Big Cartoon Festival, and the Best Animated Film Award (Prix du Meilleur Film d'Animation) at the Kristiansand International Children's Film Festival. The original score was composed by Aloïs Benoit (MAAAV), with production by Julien Deparis and sound mixing by Pierre-François Renouf.

30 July 2026

The Doll’s Eyes Plant – The Woods Have Eyes Too

Have you ever taken a stroll through a wood and felt that you were being watched? Yet when you turn around, no-one is there. You carry on with your walk but that feeling of disquiet lingers. Perhaps you were being watched by something almost as disquieting as that galloping, mad axe murderer you were dreading. The Doll’s Eyes Plant could be eyeing you up as you innocently ramble. In North America, not just the hill have eyes.

27 July 2026

Wuthering Heights Day 2026: Kate Bush Fans Recreate Iconic Dance in Whitstable – Complete with Drone Footage

These days, most people know Kate Bush for Running Up That Hill, which was iconically featured on Stranger Things.  However, outside of the US, ask people of a certain age and they will immediately cite Wuthering Heights, her 1978 hit, as her most popular song.  In fact, inspired by the music video that went with it, each year women get together in community events all over the giff-gaff to recreate the famous dance from the video.  They also try their best to reproduce the flowing dress Bush wore in it, and many don a wig to complete the ensemble.  While you don’t have to be (ever so gently) bonkers mad to join in a group event like this, I suspect it helps...

The sleepy English seaside town of Whitstable holds it own version - Whittering Heights (get it?) and this year the global event was branded as The Most Wuthering Heights Day Ever.  Apparently, when women (some men have been known to join in, too) get together in this manner, it is known as a Mass Wuther, and the one in Penistone Hill, close to the famous Brontë parsonage in Haworth, is probably the most famous. However, the Whitstable organisers this year employed a drone to capture the full majesty of this particular Mass Wuther.  This Community of Cathies (I counted 33) have been getting together once a month since February to rehearse the dance – but I am pretty sure that there has been a lot of bedroom mirror work going on as well.  This is a Mass Wuther par excellence.  A captivating community of Cathies.

Whoever thought of filming it with a drone (not to mention organising that) deserves a Blue Peter badge for this genius move which allows us to really take in the full spectacle.  Hats off, too, to the Cathies in this video.  I love the way that each has adapted the famous red dress and black sash to their own taste, with some versions going down to the ankle while at least one has gone for a mini version (perhaps Babooshka Day for you next year?).  Hopefully, that means that these dresses get more than an annual outing.  What the original article (as it were) has to say about Wuthering Heights Day has not been recorded.  Kate Bush is famously reluctant to appear or talk in public and gives interviews once a millennium, but I hope that if she sees this video it puts a smile on her face as big as mine is right now!


OK, here's the original just for comparison.  Oddly, there were two videos for the song.  The first featured Kate in a white dress.  The one below (known to fans as Version 2) was created for the American market and as you can see, every expense was spared.  Still, decades later, it continues to inspire our communities of Cathies to go forth and Wuther.  Wuthering Heights peaked at No. 8 on the Bubbling Under Hot 100 chart, which is essentially the chart just below the main Hot 100.  It took Kate a while to crack the States.


Spider-Plant Man Starring Rowan Atkinson – Comedy Sketch for Comic Relief

It was a long time coming, but the Comic Relief people have finally released Spider-Plant Man on their YouTube channel.  It was originally created for Red Nose Day (when people buy a red nose to wear to support charity) in the UK (back in 2006 so makes this sketch – astonishingly – 20 years old already).  It quickly picked up something of a cult following as it very accurately takes the rise out of superhero films in general.  Starring Atkinson as Peter Piper, this origin story shows our unlikely hero visiting Very Safe Labs Incorporated and being bitten in a delicate place by a genetically engineered spider plant.

Cue a transformation that pleases the reporter no end, especially when an opportunity (very quickly) arises for him to save his school sweetheart, Jane-Mary, who is being mugged very slowly by a masked assailant.  Of course, no sooner is she out of peril than she is in peril again, thanks to a rather bedraggled Batman.  Atkinson was not the only British comedian to lend his talents to this sketch for Comic Relief.  You can see Rachel Stevens, Simon Pegg, Nick Frost, Mackenzie Crook, Jim Broadbent and Atkinson’s Blackadder chum Tony Robinson in the sketch too.  I am not too sure who wrote it but if I had to guess I would say it had Simon Pegg's paw prints all over it! It still stands up very well, despite being 20 years old, and is probably one of the best Comic Relief sketches ever made.  Watch it below.

26 July 2026

Inpatient – End of the World: Ren and Chris Webby's Brilliantly Chaotic New Collaboration

End of the World, is a track from the first album (Asylum) by Inpatient, and the video is a blast (well, it is the end of the world…).  It’s lyrically dense – and very funny (love the line about the Vatican, allegedly, but there are too many standout lines to mention here). The song seems to be a (tongue in cheek) shrug of the shoulders at the world in general.  Let’s self-medicate and get on with it, because we’re all f**ked anyway.  Yet when I finished the watching the video, which is hugely creative and a perfect accompaniment to the song, I was left thinking that this is more like a call to arms – to make the most of it too. Even if it isn’t, listening to a song about how screwed we all are cheered me up no end.

Plus, anything with a kazoo interlude gets my vote.

So, who are Inpatient? I went to Bangor University in North Wales from 1983-1986 and had a fabulous time with some fabulous people, thank you very much.  I loved the (very small) city and its people – and it’s great to see that Bangor is still producing brilliance.  Ren, a musician, rapper, singer-songwriter, guitarist, and storyteller, was born there in 1990. Of course, as he is Welsh, you could say some of those things I just listed were most likely in his blood from birth.  There is something Dylanthomasy in some of these lyrics - but there is fatalism rather than rage (perhaps the message is drink, drink [or insert substance of choice] against the dying of the light - Thomas would no doubt have approved of that).

Now Ren has joined up with Chris Webby, an American rapper and songwriter from Norwalk, Connecticut known for fast, technically sharp rapping, punchlines, pop-culture references, and an independent approach to his music.  Mix in production and some of the song-writing from JP On Da Track and you have this collaborative project (band?) called Inpatient.  This is one of my favourite songs of the year already.

The comments on YouTube are massively positive, with fans describing the song as a brilliant soundtrack to what feels like the end of humanity, while somehow remaining incredibly fun. One listener summed it up perfectly: “I've been talking with friends for several years now about how we have a front row seat to the end of humanity. You guys just brilliantly put it to music.” Another wrote, “Only Ren and Webby can make a song about the end of life as we know it but make it so fun that me and my wife can't stop singing to it.” Others called the pair “a gift to the world,” thanked them for the music (not in an Abba way), and declared it their new favourite, with one fan simply calling Asylum the  “album of the year” which is praise indeed. 

The excitement around the collaboration is clear, with comments describing Ren and Webby as their “two fave artists” and praising them for “smashing it again.” There is a real sense that listeners aren't just enjoying the song but embracing its strange, darkly comic message: if we're going to have a front-row seat to the end of the world, we might as well have Ren and Webby providing the soundtrack.

The video manages to look both home-made and very expensive at the same time, which is quite a feat. Have a watch...

25 July 2026

Young Faces of the American Civil War

Somehow we expect their faces to be different, not so staggeringly modern looking.  Place them in contemporary clothing and all of these young men would not look out of place in a mall or a high school yearbook. Yet these extraordinary ambrotype and tintype photographs were taken during the American Civil War (1861-1865). Over 160 years separates their lives from our own yet their youthful faces retain a powerful resonance and an immediacy which brings that dreadful conflict feel strikingly close to us..

Who were these young men? What sort of lives did they live during and (one hopes) after the Civil War? The names of many of the young men pictured here are unknown; their fates a mystery. Yet despite the century and a half gap between their careful posing for the camera, some can still be identified. Astonishingly, names can still be discovered, as well as insight in to their character and personality.

Christopher Nolan Got the Trojan Horse Wrong – This Comedy Sketch Shows How It Really Happened

So, now you have watched Christopher Nolan’s The Odyssey, you think you know how the Trojan Horse was used to defeat the ancient city? Pah! Nolan knows nothing!  Despite his movie being an extended homage to Old Hollywood in so many ways, what we really needed was a touch of The Python.  And not one to disappoint, Ben Naumann’s new comedy short is something I could easily imagine young Cleese, Palin, Chapman, Gilliam, Jones and Idle doing.  Wait, I almost forgot; they did the Trojan Rabbit scene in Monty Python and the Holy Grail (1975). Arthur and his knights build a huge wooden rabbit to sneak into the French castle. The plan goes wrong when they forget to hide inside it before the French take it into the castle!

In this sketch, the Greeks have not forgotten to climb inside – but they are faced with some unexpected issues… Will it go right for them, despite one of them suffering from the intense agony of a repressed fart. It’s about as historically inaccurate as it should be – I wouldn’t demand anything less from a comedy sketch by Americans, who only have approximately a day and a half of history between the lot of them. I would have bitterly complained if we hadn’t been given warrior girls and the like. But it is funny.  The sketch features Brian Beckerle, Graham McClanahan, Phoebe Black-Toby, Eddie Tarr, Will Tully, and Harkness Granger. Not a single Greek name among them. Pfft!

The Lost Forest of Mount Lico: The Scientists Who Explored a Hidden World

It’s difficult to ascertain the damage that climate change has caused simply because there are so few places on the planet where we are not found.  Human intervention creates artificial change, so in order to work out the real impact of climate change, you need to find somewhere pristine, somewhere we have never been.  That’s quite difficult, considering the billions of us that have spread like a virus over the surface of the Earth! However, Mount Lico was identified by Julian Bayliss (Oxford Brookes University) as a place of special scientific interest by using Google Earth of all things. Image

He recognised Mount Lico as an inselberg – an isolated small mountain that rises, as if by magic, from a virtually level plain.  Think Uluru in Australia, probably the most famous example of this kind of geographical formation.  He spotted that the land round the mountain was heavily agriculturalized but atop its sheer rock walls of up to 700 metres, was a pristine forest covering about 30 hectares (74 acres).  In a scientific version of Let’s put on a show he gathered a group of unpaid scientists to go with him to Mozambique to study Mount Lico’s landforms and vegetation.

The film below was directed by Orlando von Einsiedel and tells the story of both the climb and the study.  It appears on the Nobel Prize YouTube channel. I am not going to do a spoiler alert - find out what they discovered by watching the short documentary.  I will say, though, that I was struck by how genial Julian Bayliss was, and I thought that, if this were ever made into a film, Martin Freeman would be brilliant as him!  I know, I know, I should be focusing on the content…

24 July 2026

Samurai Frog Golf: The Brilliant Animated Short That Deserves a Series - サムライフロッグゴルフ

Here’s a plea – will someone who knows someone who sleeps with someone who works with someone who can fund an animated series, please put the relevant person or persons in front of Samurai Frog Golf.  I have no idea why this awesome piece of animation hasn’t garnered millions of hits, but I guess I would have to ask The Algorithm and it’s currently not speaking to me.  Regardless, this short by Marza Animation Planet deserves a much larger audience than it got a few years ago.  It tells the story of a grizzled old Samurai Frog, who after years of battle just wants to be left alone to enjoy his golf.  What drew me in was the gorgeous animation - such a great deal of time and effort has been put into making this short.

Fate, of course, would have otherwise – and he soon finds himself the protector of a baby turtle. There is nothing for him to do but to protect the innocent, but the only thing he could use as a weapon is his golf club… I will leave the rest to you to watch.  I thoroughly enjoyed this and I hope that Marza is still looking for coproduction partners to continue the story of Samurai Frog Golf in a series!  To give up on this brilliant idea would be such a shame…

Watch King Charles and Queen Camilla Take a Trip in the Tardis in a Doctor Who Themed Commonwealth Games Opening

When late to open the Commonwealth Games, King Charles and Queen Camilla had only one option – to requisition the Tardis to ensure that they arrived on time. That’s the amusing premise of this intro to the opening of the games (July 23).  Echoing his mother’s (the late Queen Elizabeth II) James Bond escapade for the opening of the London Olympics in 2012, another Great British Institution (that’s GBI for short) has been used to create a playful and unforgettable entrance to the Commonwealth Games 2026, in Glasgow, Scotland.

There's even something of a plot  – and while not the new material that fans might have been wishing for – it’s a typical Tardis tale, with a twist. It’s the Tardis that kick-starts the whole adventure.  Created by the BBC especially for the event, it opens with Olympic cyclist Sir Chris Hoy and comedian Greg McHugh walking past a seemingly innocuous police telephone box, only for its phone to ring.  On answering, they learn that their majesties are going to be late for the opening ceremony, but there is no Doctor to whisk them away - he is nowhere to be seen.  Never mind, the Tardis takes matters into its own (metaphorical) hands.

With a great little cameo from 82-year-old Sylvester McCoy (the seventh Doctor), this really does push all the right buttons when it comes to providing an entrance for KC and QC at the Commonwealth Games.  And talking of buttons, Hoy and McHugh don’t really have a clue how to drive a Tardis... but it gives the BBC a great excuse to show off some pretty Scottish scenery. Watch the video below.

23 July 2026

Is the Internet Broken? How Technology, Social Media and AI Changed Us

Is the internet broken?  What would your answer be?  My knee-jerk response, with little to no reflection, is “bloody hell, yes”.  Yet giving it a little more thought, I think my response is more likely to be “it’s as broken as you want it to be”.  Throughout history, we have had cultural revolution after cultural revolution – and whether our distant ancestors would like us (or vice versa) if we were to somehow meet, we’ll never know. My guess is that they would be bewildered by us, frankly.  Yet each new development presented different opportunities to different people.  Take literacy – after its development, some wrote poetry while others scribbled graffiti on walls (Pompeii is a great example, where it survived unlike the scrolls the poetry was written upon).  Then there was television.  The BBC (which made this video) set out to inform and educate the masses, while the commercial channels quickly got the upper hand (viewer wise) by bestowing us with gifts like the soap opera and the advertising break.

And then, of course, there is the internet.  On one hand, we have the likes of Jimmy Wales (founder of Wikipedia) who wish to disseminate and make available knowledge that in terms of its accessibility, our grandparents could only dream of.  Now we can settle arguments in a second, a few clicks and swipes…  but fifty years ago, if you were debating the name of the capital of Mongolia, and you didn’t happen to have an encyclopaedia to hand, the correct answer would take a while to ascertain.  You get my drift.  On the other hand, we have a host of companies trying to sell us their product at any cost, social media turning our children into slavering zombies and artificial intelligence, which isn’t always right and doesn’t care either way.  Add engagement algorithms into the mix and perhaps the tool had become the master…

There’s a clip in the video below about just that, really.  When asked about the internet by an interviewer “But it’s just a tool, isn’t it?”, David Bowie responds with: “No it’s not. It’s an alien life form”.  Perhaps he could have added “intent on world domination not by death and destruction but by stealth and seduction”.  The video features interviews with several people who know what they’re talking about, including Wikipedia founder Jimmy Wales, Hatelab director Matthew Williams, author (whose novels are free on Project Gutenberg so he puts his money, as it were, where his mouth is) and activist Cory Doctorow. There are also some students at the University of Cardiff, who seem equally as baffled and bewildered by both the past and the present, bless ‘em.

Let me stop babbling. Have a look at the video.

22 July 2026

Avantgardey – Buzz Runner Official Music Video (アバンギャルディ)

Get ready for a buzz explosion! The official music video by Avantgardey for their single Buzz Runner, is finally out – and it doesn’t disappoint.  As chaotic and visually stimulating as you might expect.  Although there is no cohesive story to the video, I would say it is something along these lines.  You might not get what you expect from social media and often people will post things about you that are hurtful and unnecessary.  However, take solace in the fact that you are an extraordinary individual with real inner strength and resilience – not to mention the ability to eat cakes many times your size and deal with the occasion Tyrannosaurus Rex without any problem whatsoever.  Your presence is going to blow up! Well, that’s just my take on it – I think there is plenty of scope for you to make of this what you want to make of this, and there may be something of a cautionary tale embedded in here... somewhere!   As ever for this group, it’s deliriously frenetic and positively joyous – an Avantgardey video always makes my day simply because of its incredible joie-de-vivre.

I'm not entirely sure what Buzz Runner itself means.  It reminds me of Blade Runner, so there could be a connection there, except that here the girls are rushing after the buzz of the online moment, not androids! Answers on a postcard, please!   I think it is about the lengths people go to in order to attract attention on social media. After all, the first line translates as Likes are oxygen, my oxygen.

At the time of writing, this only just premiered on YouTube.  However, fans are already absolutely loving how chaotic, hilarious, and packed with detail the new video is, with many saying there is they are going to have to watch it numerous times in order to take everything in.  The early viewers also praised the incredibly elaborate visuals and the unique, quirky personalities of each member.  There are several memorable moments that they have pointed out - Nona's dash, Miyuu's "killer eye-beam," Sei-chan's adorable opening, Pani's sky bowl, the water backflip, and the unexpected lion (not to mention the T-Rex!).  So, you could say that the reaction is very positive!

The track itself was choreographed by akane, the leader and creative force behind Avantgardey, who also contributed to the music and lyrics.   If you like Avantgardey, then the video will not disappoint.  If you are new to this Japanese sensation, then… where have you been?

Toomorrow (1970): The Lost Olivia Newton-John Sci-Fi Musical That Was Meant to Launch a Trilogy

When I first started to watch this clip from Toomorrow, I initially thought that it was a very cleverly rendered pastiche of late 1960s pop music.  The colours were spot on, the costumes were groovy and the music very much of its time.  Then I had a wait a second moment because the girl singer in the clip looked remarkably like a young, pre-Grease Olivia Netwon-John (or Neutron-Bomb as we would sometimes call her).   Sure enough, a little research (OK, reading the video's information) told me that it was indeed a 21 year old ONJ, from a 1970 science-fiction musical (the first?). It was about a band kidnapped by aliens (a couple pictured below) to save their species… with music. I’m not alone in thinking this was a modern-day, very clever take on the late Sixties.  Many people have commented on this on YouTube, with one saying: was going to comment that this is the most period-accurate sendup I've ever seen... then realized why it's so "accurate".


If anything, that made me scratch my head even more, because being a bit of a science-fiction buff, I might not have been old enough to watch this movie on its first release, but I would almost certainly have caught it later on TV (and it looks harmless enough to be repeated ad infinitum as part of summertime scheduling) or on video release. That was, after all, how I had discovered a number of films, from 2001: A Space Odyssey to Planet of the Apes and Barbarella – I could go on.  There was a treasure trove of films from the late sixties for me to get my teenage paws on.  But not Toomorrow.  I had not even the vaguest recollection of this film – and I would almost certainly have given it a watch had I known of its existence, particularly because of Newton-John’s subsequent global stardom.