Jane Austen's Period Drama (2026 Oscar Nominated)

This short film is bloody wonderful.  Erm. I suppose I could have described it a little less appropriately – let’s just say that it brought out my inner Ron Weasley for a second.  As far as Jane Austen adaptations go, this may not be quite what you were expecting – but it does at least have all the right ingredients.  In fact, the Jane Austen references are everywhere.  And so they should be.

To begin with, there are three sisters, much along the lines of Sense and Sensibility.  They are around the same age as Elinor, Marianne, and Margaret Dashwood but here instead we have Miss Estrogenia “Essy” Talbot (Julia Aks), Miss Labinia Talbot (Samantha Smart) and Miss Vagianna Talbot (Nicole Alyse Nelson).  And yes, if you hadn’t guessed this is a comedy, then you just have. I hope.  You have also probably guessed what constitutes the period drama too. Let other keyboards dwell on guilt and misery, though; this is just for fun.

The Janeite world-building is thorough, although it might make a few uber-purists run for the smelling salts (or dash to the gin cabinet). We have the father who retreats to his library whenever things get a little uncomfortable (shades of Mr Bennett in Pride and Prejudice), and the even more uncomfortable fact that all his daughters are as yet unmarried. Of course, in those days it was a truth universally acknowledged, that a single woman in possession of no great fortune, must be in want of a husband.  And it looks like Essy is about to be the first of the Talbots to get hitched.  She has managed to attract the attention of the handsome, brooding, slighly dim Mr James Dickley, played by Ta’imua (great chemistry between the two leads, by the way).  However, the drama of the title comes into play very quickly. Could this be the end of the Talbot-Dickley union, before it has even fully started?

You can watch and find out, the film is below. What involvement Emma Thompson had in the project I cannot tell you, but she is listed as Executive Menstrual Advisor.  Shame there was no Thompson style weeping in the film… but it is a comedy after all. What I can tell you, though, is that it was written by Julia Acks (Essy in the film) and Steve Pinder. The talented duo also directed the film.  What I enjoyed about it most of all is the script, which is very sharp, knowing, contemporary and extremely funny – a gift to any actor who can keep a straight face long enough.  I imagine there were one or few bloopers made while filming.

Not only is it all of the above, it is stylistically so in keeping with the way period dramas are made in terms of the way the whole thing looks – perfect, really.  Plus the casting of the sisters is spot on – you can create an Austenesque backstory for each of them the moment they utter their first words.  Having watched this, I was hardly surprised to see that this has been Oscar nominated for Best Live Action Short Film.  Fingers crossed that this beats the opposition into bloody (ah, did it again) submission and comes out on top.