11 July 2026
The Frog that Turns Blue
Image Credit Wikimedia
There are very few artists whose names have become
inseparable from a single colour. Mention blue, however, and many people will
think immediately of Yves Klein, whose obsession with an intense ultramarine
hue gave the world International Klein Blue (IKB).
This beautifully crafted live-action short is Jan Hellwich's
thesis film at Filmakademie Baden-Württemberg. Inspired by Klein's own diary
entries and writings, it explores the artist's conviction that blue was far
more than a colour: it was the embodiment of the infinite, found in the endless
meeting of sea and sky.
The imagery is glorious. Manuel Villasante Ayuso, Voicu
Dumitras and Finn Fluche are wonderfully cast, moving through sun-drenched
landscapes where the dazzling blue sky becomes as important as the characters
themselves. The cinematography perfectly complements Klein's poetic
reflections, including his delightfully eccentric complaint that birds flying
across the sky were making holes in his greatest work of art.
Part philosophy, part visual poem, this is an assured and
atmospheric debut from Hellwich, and a fitting tribute to one of modern art's
most distinctive figures.
Lapis lazuli is the semi-precious stone from which the pigment ultramarine is made. The relationship works like this – the mineral Lapis lazuli contains lazurite. There is evidence that it was mined in the mountains of Afghanistan as long ago as the 7570 BC. For centuries, artists ground lapis lazuli into powder and then used an elaborate purification process to separate the blue lazurite from the other minerals. The resulting pigment - natural ultramarine was one of the most expensive pigments ever used and often cost more than gold, and appeared in many paintings of the renaissance, notably to form the gorgeous blue of the robes of the Virgin Mary.
This video explores the history, science and artistic
importance of lapis lazuli, the rare blue stone used to create the pigment natural
ultramarine. The presenter visits artist and historian David Margus, who
demonstrates how the stone is transformed into pigment by crushing it into a
fine powder. As the rock is broken apart, the sulphur within it becomes
apparent, and we learn that its unusual chemistry is responsible for the
brilliant blue colour. I wanted a
valuation of the great lump of Lapis lazuli featured in the video but, alas,
that was not forthcoming. Regardless,
this is very interesting!
Goodbye Bonnie Tyler – and thank
you for all your wonderful, gutsy over the top performances. You will most certainly be missed – although we
still have your music. Without wanting
to sound maudlin, when you reach a certain age and pop and rock icons shrug off
their mortal coils, it does lead to a little reflection – and I have very fond
memories of Bonnie Tyler. Like a lot of
people, I first came across her music with Lost in France – while not
her first single, it did see her first entry into the UK charts. Sliding
gracefully into the Top 10, it was a breezy country-pop delight, with the video
particularly popular – she was just lost in France, in love.
The next Tyler song I remember is
It’s a Heartache, a great number with the first real vinyl appearance
of her raspy vocals. As the press soon
told the country, this was the result of the removal of nodules from her vocal folds
– and while perhaps an inadvertent side-effect of the operation, it gave Tyler her
trademark voice for which she will always be remembered.
Although Tyler continued to
record and release, she fell of my radar until 1981’s Total Eclipse of the
Heart which was really very difficult to miss. With a quite startling video (very bug budget for the time, too) and our first glimpse of rock
opera Bonnie (as I have just christened that particular incarnation of hers), it
was a global hit and remains close to the hear of millions of people. In fact, in the homage from the British channel
ITV, an interview is played from when she sang the song at the moment of a
total solar eclipse.
Nos da, Bonnie. Cysga'n dda.
...And while we'er at it, why not listen to Total Eclipse again? As much as Bonnie Tyler never got sick of singing it, this is a song that so many of us return to time and time again just for the sake of listening to it one more time...
League of Legends (LoL) is an iconic video game that has become part of modern esports culture. Developed by Riot Games, League of Legends has become one of the world's most popular multiplayer online battle arena (MOBA) games. Many people enjoy the game from the comfort of their home. Professional players compete in esports tournaments to showcase their skills and achievements. They use more than 100 characters to compete against each other online.
The esports sector places more
emphasis on critical thinking abilities than traditional sports, which mostly
rely on physical power. Additionally, League of Legends is a cooperative video
game that requires players to cooperate in order to defeat the opposition. The
most devoted fans support their favourite teams through LoL betting at GGBet, which comes with reasonable odds and
transparent payouts. Image Credit Unsplash
LoL is the focus of many esports
competitions. One of the most well-known events in the world is the World
Championship. Tens of teams compete in order to win enormous sums of money. In
order to put bets and possibly earn real money, their fans watch the esports
competitions. It is difficult to overlook the actual effects of LoL betting on
the esports sector. This is the reason.
LoL’s popularity has given a new
life to the esports industry. Why? Quick and easy access is the most obvious
answer. Few games provide a free-to-play gaming experience like League of
Legends. Optional cosmetic items are the game's primary source of revenue.
Players can enter the esports scene with no additional work thanks to the
free-to-play approach. This indicates that more capital has been put into the
esports sector, enabling free gaming. LoL has made more than $1.5 billion since
2019. It is currently gradually approaching $2 billion. This establishes a
benchmark for other video games hoping to succeed in the current market.
Esports
betting is inseparable from the esports industry. While luck is crucial for
successful betting, it’s not the only thing that matters. LoL betting is
becoming equally popular as CS: GO and Dota 2. Playing the game and watching
other teams competing in esports tournaments are no longer enough. They want to
predict the outcomes and make profits, which automatically increases the
average audience.
Esports betting grew rapidly as a
result of LoL's popularity. Fans are thrilled to make money or support their
favorite teams. Other video game makers want to follow in their footsteps after
noticing this growing trend. Higher revenue is the result of more betting.
Nevertheless, the importance of LoL in this process cannot be overstated.
Esports
culture and modern social culture have much in common, especially now that
esports is becoming popular worldwide. The esports industry is getting higher
revenue and overall presence, which makes its place in modern culture strong.
LoL has been with us for years. It underwent the transformation from a simple
video game to a game with massive rewards. You can enjoy dynamic gameplay, bet
on esports events, and even apply for a scholarship. All these things help LoL
be treated as a real kind of sport.
Twitch has started the streaming
tradition that allows you to follow the gameplay in real time. You don’t even
have to watch LoL matches anymore on the stadium. Fans can easily follow
matches online from anywhere in the world. Chats are also there to support the
participants, just like classic sports.
While
esports continues to have ambitious goals to expand globally, the future of LoL
betting is bright. With the League Championship Series, LEC, League of Legends
Pro League, and League of Legends Champions Korea, Riot Games has already
created a very competitive atmosphere. With live bets, player information, and
sophisticated analytical tools, betting markets are becoming more sophisticated
as viewership rises.
One major trend is the increasing integration of esports with traditional sports organizations, helping attract mainstream audiences. Modern streaming services, augmented reality, and virtual reality could also create more immersive viewing experiences, potentially increasing engagement among bettors. Educational programs focused on esports management, broadcasting, and coaching continue to contribute to the esports industry. Riot Games introduced its well-organized championship system. With that said, LoL has grown as a global phenomenon, building a strong foundation for further growth in both esports and betting markets.
Although he died at just 36, Toulouse Lautrec was able to
both live a remarkable life and produce art that will persevere through the
ages. Yet, astonishingly, during his lifetime
he was little-known as an artist outside of Paris. Although he did enjoy much more success at
the time than his contemporary and good friend Vincent Van Gogh, it is perhaps
something of a shame that he was never to know how well-loved his works would
be on a global scale.
Pete Beard, whose YouTube channel focuses on illustrators of
the past, here examines the life and works of Toulouse Lautrec. It really is as
much as you will ever need to know about the man if you have, say, just a
passing interest in his work. Throughout
the video, we get to see probably close to a hundred of his posters, illustrations
and paintings – and who would have thought that a Debussy soundtrack would go
so well with them? I will now let Mr
Beard tell you the story.
There is so much happening in Bye Bye Bunny, a degree
project animated short by Rubika students, that it could easily be extended into
a full-length feature. Having said that,
it would probably give the world’s children nightmares as although the colour
palettes are what you might expect from an animated escapade, it has moments
which can only be described as incredibly dark.
As such it’s my kind of animation!
It tells the story of a magician and his friend, assistant and, well, prop, a rabbit. Their joint career is going swimmingly until the day that all the rabbits on the planet disappear. Unfortunately, this world event happens in the middle of the magician’s performance, and he is howled off stage. However, that isn’t the end of that – watch the animation below to see what happens next!
Bye-Bye Bunny was directed by Julia Bueno, Cheng Li, Catherine Lepicard, Inès
Pagniez, Julien Roguet and Paul Torris. It features music by Kenny Wood and
Florian Calmer, with sound mixing by Kamal Ouazène, bringing together a small
but carefully crafted team behind its production.
William the Conqueror, 1066 – played on the Saxons cruel
tricks. I don’t know if you are old enough to remember the first lines of a
poem I was forced to learn at school which detailed several important
historical dates, beginning with the Norman invasion of England, but this video
will help explain the cruel tricks. I for one truly wish this has been around in my childhood! The
British Museum (aided and abetted by Hocus Pocus Studio) have created this fantastic,
animated explanation of the Bayeux Tapestry, telling the story from the
beginning to (for the Saxons at least) its bitter end. It really brings the tapestry to life and
the narration by Claudia Winkelman (an English broadcaster and writer immensely
famous in the UK zips through the history with ease (and the occasional knowing
wink to the audience).
The video is designed for anyone 11 and over who is interested in finding out the story of the Bayeux Tapestry as well as some of the facts and figures associated with it. It doesn’t patronise, but it explains what the tapestry is and why it is such an extraordinary testament to William the Conqueror. As a big kid in adult disguise, I found this immensely entertaining.
The video was created to accompany the British Museum’s
hosting of the Bayeux Tapestry. This
will end on 11 July so get your skates on if you still want to see the real
thing before it returns home to France. In the meantime, watch the video
below.
It’s one of those questions I have never considered asking,
but now I come to think of it, I really want an answer! How is it that
astronauts don’t run out of air on the International Space Station? In the early days of spaceflight, oxygen was
stored in tanks, but the flights were short(ish) and so enough could be carried
along with the craft to ensure the astronauts didn’t suffocate on their way there
and back.. Yet if you are on the
ISS, there is a limit to the amount of oxygen tanks you can bring along with
you. The Apollo 11 Mission, which took
three astronauts to the moon, and took seven days, had 50kg of oxygen (which
was plenty). However, six to eight
months in space with seven crewmates – that would be way too costly.
So, enter electrolysis and a system called MOGA (and that
doesn’t stand for Make Oman Grest Again). That’s
about as much as I will see as this fantastic lesson by Ted-Ed covers
the rest extremely well (I understood it, so that means it’s pretty
accessible!). Alvaro Romero-Calvo and
Theo St Francis investigate – and do a great job. However, I was particularly drawn to the
animations (see what I did there?) and they are uncredited – as far as I can
see – but thank you to them too!
Olivis Coleman as a self-service checkout till that answers back? Yes, I’ll have some of that, thank you very much. Of course, a till that answers back needs a customer to backchat, and that comes in the form of hapless Henry (played by the quietly handsome Jamie Blackley) who has reached the ripe old age of 26 and is still required to prove his age when he buys alcohol. However, that is the least of his worries. Hapless Henry is also hankering for the human cashier (Isabella Laughland) but there is always a reason – or an excuse – for him to end up on the self-service side of the supermarket (and Coleman’s remark about the tissues he is buying will have you in gales).
Unexpected Item has quietly built an impressive
festival record, collecting Best Film awards at the Anaheim International and
Cambria Film Festivals, Best Comedy Short at both the Orinos Film Awards and
Independent Short Awards, Best Short Film at the Vegas Movie Awards and Falcon
International Film Festival, and Best Romantic Comedy at the Top Indie Film
Awards. It has also been officially selected for festivals including Norwich,
Carmarthen Bay, Queen Palm, Austin Comedy, and JellyFest. Directed by Stephen
Gallacher and written by Chris Croucher, the short tells a warm, witty story
about courage, human connection, and the small inner voice that sometimes gives
us the push we need to reach out to one another. It’s lovely.
The Hillywood Show is never one to tighten its belt when it
comes to budgets, and this parody of Star Wars looks like it was pretty
expensive to make. It’s huge fun,
too. Filmed using anamorphic lenses to
capture the sweeping 2.39:1 cinematic aspect ratio of the original trilogy,
this restoration delivers a spectacular UltraWide presentation in
stunning 4K or 8K resolution. All your
favorites are here – Luke, Yoda, Han, Leia, Chewbacca – and what Star Wars parody would
be complete without an appearance or two by Darth Vader!
The commenters of YouTube are ecstatic. Viewers are hailing
the parody as Hillywood's most ambitious and polished production to date,
marvelling at the painstaking recreation of the original trilogy's sets,
costumes, lighting and cinematography. Fans singled out everything from the
inspired casting - particularly Jim Beaver as Obi-Wan (although I was rather taken
with Supernatural’s Matt Cohen as Han Solo) to the pitch-perfect vocal
performances, while the now-iconic lightsaber guitars became an instant
favourite. Long-time followers described the video as a triumphant return, with
many sharing how Hillywood's parodies have brightened their lives for years. Just
as enthusiastically, commenters applauded the prominent "No AI"
message, celebrating the production as a showcase for the creativity,
craftsmanship and passion of a talented cast and crew working entirely by hand. Altogether, if you are a Star Wars fan, you
will find much to enjoy in this parody – and even if you are just a toe-dipper
into this particular universe, you will find something to smile about here!

If you need something to brighten up your classroom wall,
then look no further. I took a little
while to create these posters – and trying to tame AI to produce something faithful to
them was an uphill struggle.
However, here are the finished items, which you can download free of charge here. And yes, they do use AI but because that means that you and I do not have to worry about copyright issues. I see so many posters created by well-meaning teachers who have blithely used the work of others to illustrate the literature that they teach – I wanted to avoid that altogether and now technology has finally caught up with that desire!
I started with Ozymandias, which I have very fond memories of studying while I was at school. Its message is as powerful today as it was when Shelley wrote it, reminding us that even the mightiest rulers, empires and achievements are ultimately fleeting, while time and nature outlast them all.
My teacher did some marvellous things with her voice when reading the poem out loud – and although in hindsight it may have been a little too bombastic (you should have seen her doing Charge of the Light Brigade), we enjoyed her theatricals.
A robot works deep underground for a civilisation long since disappeared (that would be us). It is a lonely existence and when a cat strays from the surface and finds its way down to the bot’s subterranean lair, what’s a cat expected to do except steal the shiny, bouncy antenna thing from the bot’s head. And so ensues a chase to the surface and the discovery of a new friendship for both bot and cat. Sounds very simple? Well, it is – but the secret of good story telling always lies in the way it is told. Bot and Cat manages to be very, very straightforward yet deeply profound at the same time. It’s charming yet thoughtful simultaneously.
The commenters of YouTube love it. Many describe the
seven-minute animation as an emotional masterpiece, praising its beautiful
storytelling, evocative music, gorgeous backgrounds and polished animation.
Viewers say they were left in tears by the robot's touching journey, with one
remarking they'll "never get tired of 'robot goes against its programming
to experience the beauty of nature' stories". Others were astonished by
how few people had seen it, repeatedly calling it "underrated" and
predicting the studio behind it is destined for future success. Several even
suggested it outshines big-budget Hollywood productions, while hoping it goes
on to win festival awards and reach the much wider audience they believe it
deserves. Agreed!
Created by a group of students (collectively known as HermitCat Studios for their thesis project at Canada’s Sheridan College, this wonderful piece of work utilises the talents of Mo Hassan, Jenna Pomfret, Julia Lin, Nomy Fang, Rie Wong, Daniel Young, Travis Li, Yi-Ting Yuan, Kiwi Prommart, Charlotte Royal, Yoonji Nam and Heidi Pan. The original (and rather lovely) score is by Johnny Knittle. Watch Bot and Cat below.
It’s a dog’s life… I always thought that phrase was much too popular because most dogs live the life of Riley these days. Likewise, “I’ve been working like a dog” has long since lost any impact it might once have had. So, when Otto the Dachshund popped his weary little head and doleful eyes on my feed, I was a little wary about what he might have to say about the challenges his life presents… and I was right. Yet this pampered pooch learns a lesson or two in his confessions and he does it in such a droll manner that he won me over (almost) immediately.
This highly amusing tale tells the story of how Otto has his
day (like every dog should) – and manages to escape the clutches of both his needy human and his canine
companion Kasper, to finally taste a little freedom. What he does with it is up to you to find
out, but the build up to the climax is something of a shaggy dog story, despite
Otto being short-haired and rather regal looking. Regardless, I would recommend that you sit
back and watch Confessions of a Dachshund, which was written, filmed, and edited by Sparky Jones. A special shout out to Tony Ingram who voices
Otto with the kind of middle-aged angst that makes this narrative completely
and utterly believable. Ahem.
Have a guess which of the two people above is a robot. It’s probably not too difficult to work out which is which – but the UBTech Robotics model on the right is, I must admit, incredibly humanlike. The company’s new life-sized companion robots were unveiled in late June 2026 and they all appear… young, beautiful and generally quite remarkable to look at. The range is collectively called the U1 Robot – and for anyone who has ever seen a slice of science-fiction where a robot is placed within a human household (I don’t need to go into the consequences here!), it looks very much like we’re one step closer to that kind of scenario.
At any point in human history, however, we see how new
inventions have been very quickly put to unanticipated uses by
people. Give them an alphabet and graffiti
follows very quickly – you get where I am going here. So, while the U1 robot is something of a
technological marvel, I shudder to think about a few of the uses it might
endure once it gets into some people’s living rooms to offer its emotional
support. I anticipate a robot revolution
within a decade, frankly… Perhaps I shouldn’t worry – it is, after all, a
lifeless chunk of technology, comprising silicon, 88 servo joints and the (locally
stored to ensure privacy) artificial intelligence – and all the other bits and
pieces that make it up.
Although the eyes move while conversations are happening between robot and human (and the head moves according to the human’s movement), the lips don’t – and perhaps that isn’t a bad thing. It’s a reminder, after all, that the U1 is a robot and not a person. There does seem to be a lag in conversations, too – but as this is the first humanlike model the company has launched, we know that this will see improvements over the forthcoming years. After all, how fast did the first mass-produced cars travel? There have already been over 13,000 orders (and the U1 is not desperately cheap) so this there is certainly a demand for this kind of emotional support. Watch the video below (and read the comments if you want something a little less diplomatic than the words I have written!).

A lizard without a tail is not considered the catch of the
year by his peers and so poor Sam, tailless but hungry for a little love, is in
something of a pickle. He is forced to
watch as boy lizard with full tails get the girl, leaving him without a hope in
the world. However, h’s a plucky little guy and with the help of his best
friend, he goes about finding a replacement - from the things we leave behind. Will his new-found prosthetic enable him to discover
love? Or has he really been looking in the wrong places all this time?
This charming animated short was created by a group of ESMA
students as their degree project. It was
directed by Liselotte Allard, Alphonse Année, Margot Brun, Frédéric Dewit, Eva
Dugué, Esther García Fernández, Lourenço Soares and Camille Szostek. Music was
composed by Jeffrey Brice. Sound was by Mickaël Merrheim, José Vicente and
Yoann Poncet. The voices were provided by Liselotte Allard, Eva Dugué, Esther
García Fernández and Frédéric Multier.
“That is the most terrifying ride on the planet Earth” – so
exclaims one of the young men who I have just watched riding Dinoconda at China
Dinosaurs Park. It’s a roller coaster with a twist – it’s 4D. So, while the
track throws you through dizzying loops, corkscrews and stomach-churning drops,
your seat has a mind of its own, rotating independently and flipping you
forwards and backwards at precisely the wrong (or right!) moment. The result is
a ride that seems to ignore the normal rules of physics and leaves even
seasoned thrill-seekers questioning whether they would dare to ride it again. For me, it would be a million times no. A
million pounds to do it? No. Five million? No, no, no, no. no. Ah, well, maybe.
I honestly don't like roller coasters at the best of times,
but riding one with seats that rotate independently of the track and flip you
head over heels without warning is a step too far for me.
Now I have established my fear of rollers (and I broke out
in a cold sweat just watching this one), let’s discover a little more about it.
Located at China Dinosaurs Park in Jiangsu Province, Dinoconda is widely
regarded as one of the most extreme roller coasters ever built. It is one of
only a handful of operating 4D coasters in the world and reaches speeds of
around 78 km/h (48 mph) while hurtling riders through a maze of inversions,
vertical drops and gravity-defying twists. Unlike a conventional coaster,
however, the experience is never quite the same twice because the seats rotate
independently of the track, making it almost impossible to predict which way
you will be facing next. Just the thought
of it makes me feel queasy.
The video below is particularly fascinating because it has
been filmed from the end of the train, allowing you to see exactly what the
seats are doing as the coaster races around the circuit. Most onboard videos
only show the rider's view, which hides the remarkable engineering taking place
beneath them. This perspective reveals why 4D roller coasters occupy a category
all their own - and why so many people (including our young friend I mentioned
at the beginning) describe Dinoconda as one of the most exhilarating and
intimidating rides on Earth.
Would you be brave enough to take your seat? Yes? Please,
take mine! Watch the video by The Coaster Scoop below.
I don’t suppose the Isle of Man gets much attention, on a global scale at least. I suspect (rather despondently) that quite a few people who would describe themselves as Britain would have no idea where it is on a map – and that even more (particularly those who have not lived in the UK very long) might not even have heard it at all. Most people imagine it as a sleepy, peaceful island in the northern Irish Sea – and don’t spend too long wondering if it was or wasn’t always like that.
Well, it wasn’t – and this short but very informative TED-Ed
lesson takes us back to medieval times, when the island’s kings gave the
Game of Thrones scriptwriters a definite run for their money. Family feuds, civil wars, struggles for control
of the seaways that surrounded the island – all these and more contributed to a
time in history when the times were rather more turbulent (to say the least)
than they are today. In 1223, for example, King Ragnvald ordered
his son to murder his uncle Olaf.
Unfortunately, Olaf got wind of the plot against his life, so blinded
and mutilated his nephew. Some years later, it was realised that the letter was
possibly a forgery, making this familial conflict even more of a tragic waste
than it was. At least they didn’t have
dragons – they would probably have fought themselves into extinction had that
been the case. Watch the video below.
Cosmic Fling is an unexpected delight. We don't often get to see new animated stories told with marionettes. It tells the story of an average down-to-earth
garbage man. Well, not quite. Stan works in outer space – and it’s his job to
clear up the mess that humans (inevitably) leave behind. If you think that’s
far fetched, read our article about lunar leftovers to see how the moon became
a trash can (and why the future might see jobs like this created). Poor old Stan ekes out his
existence harpooning space debris – and that’s what he uses for sustenance
too. Whether he has done something
heinous to deserver this, we are never told, but I think that Stan simply
thought the job seemed like a good idea at the time…
Regardless of how Stan ended up on his lonely satellite, what
he really misses is company – and what he longs for is love. So, when Beatrice turns up on a comet, he is
smitten. Yet all too soon, she is
whisked away and Stan must wait until she returns to try and win her heart.
Comets always come back, don’t they? You
have probably guessed the answer to that (if you didn’t already know), but this
lovely animated short, directed by Jonathan Langager and written in partnership
with Ali Scher, shows that if nothing else, love springs eternal.
Cosmic Fling won the Bruce Corwin Award for Best Animated
Short Film at the 35th Santa Barbara International Film Festival, which took
place in 2020. And here it is finally on
YouTube. Watch it below.

If the comments beneath HBO Max's newly released House of the Dragon Season 3 opening credits are anything to go by, viewers are more excited than ever to return to Westeros. The overwhelming reaction? Those drums.
Hundreds of fans singled out the newly enhanced opening
theme, with its thunderous percussion giving the familiar melody a much darker,
more militaristic feel. "The drums of war" became the phrase repeated,
with many commenters saying the change perfectly signals that the long-awaited Dance
of the Dragons has finally erupted into full-scale conflict.
One fan joked that the composer must have been asked,
"How many drums do we need?" before replying with a single word:
"Dracarys." The updated music has also stirred quite a bit of nostalgia
– if that’s quite the right word; I suppose it is, considering Game of Thrones
was first shown in 2011. For many, hearing the iconic theme instantly
transported them back a decade to the original, proving that Ramin Djawadi's
unforgettable score still packs an emotional punch.
The visuals received almost as much praise. Viewers admired the animated tapestry, describing it as a striking retelling of the rise and fall of House Targaryen. Several commented that the opening sequence feels less like television credits and more like a living history book charting the destruction of an empire. It's all very Bayeux on acid,
Of course, eagle-eyed fans also spotted a few details that
sparked debate. The appearance of the Blackfyre sigil prompted plenty of
speculation about its symbolic meaning, while others questioned whether it was
an intentional piece of foreshadowing or simply a production mistake.
Despite a handful of criticisms - including complaints from
some book readers about changes from George R. R. Martin's source material - the
mood about these titles is overwhelmingly positive. Many called the premiere
"epic", "brutal" and "visually arresting", while
others declared, "We're so back."
If fan reactions are any indication, Season 3 has struck
exactly the right note: louder, darker and ready for war. Watch House of the Dragon's new Season 3 opening
below.
The Proclaimers’ new single “You May Offend” arrives like a
blunt conversation held under a spotlight.
It is part protest song, part philosophical provocation – and it’s aimed
squarely at… all of us. Delivered with the duo’s unmistakable vocal delivery (and a beautiful arrangement), it’s
a song that wants to be heard clearly, even when what it is saying might make the
listener uncomfortable. This is songwriting of the highest quality - it gets in, delivers its message, and gets out. The message is one designed to make us all reflect - this is grown-up pop music.
Lyrically, it sketches a world where expression is both
inevitable and dangerous. The repeated idea that “as you breathe, as you grow…
you may offend” frames speech as something that cannot be neatly sanitised
without consequence – as, perhaps it always has been. Set against the
accompanying visual concept of omnipresent “listening machines” and anonymous
operators scanning for “dangerous thoughts,” the song extends its argument into
a broader dystopian allegory: a society where tolerance becomes conditional and
surveillance extends beyond behaviour into intent. The chorus, invoking
tolerance as a “street that runs both ways,” captures the song’s central
tension. It is a demand for reciprocal
openness that sits uneasily alongside its own awareness of social friction. But it tells us to prepare ourselves to
offend – and infers that it is even a necessary part of personal growth. It's almost like a father telling a child don't suffer fools gladly, just for the sake of being nice. Who the fools are - well that's up to you to decide.
Ultimately, “You May Offend” feels like The Proclaimers
leaning into confrontation as an artistic choice. It is not interested in
neutrality; it is interested in the uneasy space where speech, interpretation,
and consequence collide. Whether you agree with its premise or not, it is
difficult to ignore - and that, perhaps, is exactly the point. Watch the video for "You May Offend" below.
I won’t tell you how the tram becomes driverless. I won’t tell you how the brakes fail. I won’t tell you how the tourists suddenly find themselves responsible for a mono-browed pequeno lisboeta. I kid you not.
What I will tell you is that Helga and Hans (sorry, made these names up!) are
about to have the ride of their life – and perhaps, in doing so, might rekindle
the flames of their relationship. o28 is
a thrill a minute – in some ways reminiscent of cartoons of yore where vehicles
suddenly lose control and the laws of physics are completely and utterly
ignored until things – one way or another – resolve themselves. In this instance, we’re taken on what can
only be described as a roller coaster ride through the picturesque streets of
Lisbon, with danger lurking at every corner (literally).
There are some lovely touches here – I loved the “World’s Greatest Driver” mug in the cab, the little heart-shaped contrail a plane makes, and the fact that the beautiful red Ferrari(esque) sportscar the tram looks like it will hit at one point is exactly the same as the one on the cover of Hans’ car magazine. I also loved the way that o bebé lisboeta blithely enjoys the whole experience, even turning momentarily into Cupid at one point..
This is an animation
that you will want to see through the end (and into the credits where we’re
given some little Easter eggs too). Well
done to the Rubika students who produced this magnificent, thrilling and very funny
animated short. They are Otalia Causse,
Geoffroy Collin, Louise Grardel, Antoine Marchand, Robin Merle, and Fabien
Meyran (direction), Cyrille Marchesseau and David Gana (music) with sound and
mixing by Alexandre Jaclain and Kamal Ouazène.
What a spectacular showcase for their professional strengths. I have enjoyed all of this year's Rubika thesis films, especially Yalla, Apocalypse Dog and Sur Mesure, but if I had to stand up and be counted, I would have to say that this was my favorite so far. Watch o28 below.
I will give Cruz Beckham 6 out of 10 for his attempt at moonwalking
in this video for his latest single Wear & Tear. It was a brave decision but didn’t quite hit
the heights. However, I will give the song itself a healthy 9 out of 10. So, there’s my jukebox jury for the
song – even though his legion of fans would probably be indignant at the fact
that I haven’t awarded it the perfect ten.
I must admit that Cruz Beckham's Wear You Down leaves
me completely bewildered. I've listened to it more than once, but I'm still
none the wiser as to what it's about. Is it describing a toxic relationship,
addiction, fame, an intrusive inner voice, or something else entirely? One
moment the narrator is offering someone the world in exchange for their name,
the next claiming to be "the blood in your veins" before repeatedly
declaring, "I wanna wear you down." It's certainly atmospheric and
undeniably dramatic, but whether there's a hidden meaning or simply a
collection of evocative phrases is anyone's guess. Perhaps I'm missing
something obvious. Or perhaps the beauty of the song lies in the fact that
everyone can interpret it differently. Either way, I'm left with more questions
than answers - and a sneaking suspicion that I'm not the only one.
What I can get my head around is the music itself.
It's an intriguing hybrid that somehow manages to bridge two very different
decades. There's a definite whiff of the late 1960s in its hazy psychedelia and
melodic sensibility, with echoes of the later Beatles, while the jangling
guitars and laid-back groove transported me straight back to the indie scene of
the 1990s. Imagine the Stone Roses borrowing a few pages from the Beatles' Magical
Mystery Tour notebook, then asking Kula Shaker to sprinkle a little extra
psychedelic dust over the finished product. It shouldn't really work, but
somehow it does. Whatever else Wear You Down may or may not be about, it
has a sound that's oddly familiar without ever feeling like a straightforward
imitation.
Judging by the comments on YouTube, I don't seem to be alone in hearing those influences. Listeners have described the song as having "very Stone Roses" and "90s vibes", while others picked up on distinctly Beatlesque touches, with one even hearing a Lennon vibe and another comparing it to George Harrison's If I Needed Someone. There were also mentions of early Pink Floyd and plenty of appreciation for its retro feel, with one fan saying it was "like traveling to the past". Nostalgia seems to be a recurring theme: "I feel 23 all over again," wrote one commenter, while another said, "Those vibes are reminding me of my youth." Others were more succinct but no less enthusiastic: "Absolutely brilliant," "F**king love it," "Finally an authentic band," and perhaps most tellingly, "It's actually not bad. It grows on me." That last comment may prove prophetic, because this is exactly the sort of song that reveals a little more of itself with each listen.
Quick question though – why is it that in some parts of the
video one of The Breakers is doing an Invisible Man
impression? There doesn’t seem to be a
reveal? Is it because there had to be a stand-in for some parts of the video
and this seemed liked a neat way of doing it? Answers on a postcard, please! Watch and listen below...
In the thirteenth century, what is now the Polish city of
Toruń was controlled by the Teutonic Order, a German-speaking Catholic
religious order founded a century before in Acre which by the 1200s had evolved
into a military power in the Baltic region.
Crusades were conducted against pagan peoples in Prussia and Lithuania,
and a powerful territorial state governed directly by the Order had been
established. To defend the town against Prussian
tribes, Lithuanian raids and even potential threats from local Polish and
Pomeranian rulers (note – these threats did not present simultaneously), the
Order built and maintained walls and a series of towers around Toruń. There was just one problem...
Two of the towers leaned. Although only one remains, it still somehow manages to stand. Historians believe the other was demolished sometime in the second half of the 19th century, when many sections of Toruń's medieval fortifications were removed as they were no longer needed for defence and the city expanded – and not because it leaned too far one day. If built today, rather than Prussian tribes, they would no doubt be surrounded by an army of health and safety inspectors demanding their removal. Back in the thirteenth century, it was considered expeditious to keep one’s fingers crossed and hope for the best. Medieval engineers, although highly skilled, had failed to realise how much the loamy ground would settle after construction. They had little choice but to accept the lean, keep a wary eye on it and hope the tower stayed upright.
Here's the story. In the winter of 1970, British television viewers were given thirteen new episodes of Monty Python’s Flying Circus, with a host of new secondary characters to help while away the winter nights. By far the most talked about was The Nude Pianist played (mostly) by the late, great Terry Jones. The pianist (who wasn’t always naked to start with) proved so popular that he became slightly more of a fixture in the third series in 1972-3.
Why? The character perfectly captured the programme's surreal, subversive humour. His calm indifference to his own nudity made the joke even funnier. At a time when British television was still relatively conservative, the sight of a naked pianist popping up unexpectedly between sketches was both shocking and irresistibly absurd, ensuring audiences eagerly anticipated his return.
Now, the sea front of Jones’ home town of Colwyn Bay on the North Wales Coast has a permanent commemoration of this cheeky little character in the form of a sculpture by Nick Elphick.
Sir Michael Palin has apparently described the statue as a
fitting tribute, joking that commemorating a comedian with a monument might
seem a little absurd. However, he added that Terry Jones would have appreciated
the irony of such a playful, slightly subversive memorial, making him especially
pleased with the idea.
Subversive? Well, if you are reading this from our home page, click “read article” below to get a better idea of why what Palin said got to the bottom of this particular piece of art in an instant. Thank you to Kuriositas reader Sonny Chapman for taking the pictures.

If you've ever wondered what would happen if a nightclub, a
telenovela, a dance battle and a blockbuster action film all arrived at the
same party, then ATEEZ's 'BAD' is here to answer your oddly specific
question. The title track from GOLDEN HOUR: Part.5 swaps the group's
usual apocalyptic intensity for something hotter, bolder and thoroughly
danceable, with Brazilian funk rhythms driving an irresistibly swaggering
chorus. The video, meanwhile, gleefully throws subtlety out of the nearest
window, serving up flirtation, jealousy, spectacular choreography and enough
visual flair to keep freeze-frame enthusiasts occupied for days. It's loud,
stylish and gloriously over the top – exactly the sort of music video that
reminds you K-pop often treats "less is more" as a quaint historical
curiosity.
Some K-pop groups become famous for catchy songs, some for impressive choreography, and some for looking impossibly cool while standing perfectly still. ATEEZ somehow managed all three at once. Since debuting in 2018, the eight-member South Korean group has built a global following through performances so energetic that they occasionally give the impression that the laws of physics are merely polite suggestions. Their music videos feature pirates, rebels, alternate realities and enough dramatic symbolism to keep internet theorists occupied for years. Meanwhile, fans – known as ATINY – enthusiastically piece together the group's sprawling fictional universe, proving that a catchy chorus and a mystery are a powerful combination. Whether storming festival stages or collecting international awards, ATEEZ continue to demonstrate that if you're going to take over the world, it helps to do so while executing perfectly synchronised dance moves. Of course, on the other hand if my (long departed) grandmother was to watch this, she would come out with one of her favorite phrases: "No wonder kids are daft".
Watch BAD below: